More affordable than the f/1.2, without too noticeable drop in quality.The price will be off-putting for beginners.There is a slight drop in clarity towards the edge of the frame compared to the centre, particularly when wide open.The price tag is rather hefty though, so this may be only for the serious photographer. The weather sealing means that you can take it out and about without fear. It’s a very well-constructed lens and it feels sturdy in your hand and on your camera. You can totally isolate the subject in the frame against a silky smooth background. Sharpness of image is consistently good throughout the aperture range, and the depth of field is pretty unique to this lens. It’s simply staggering how much light this lens lets in. Amazing image sharpness and dynamic range.Ĭanon’s f/1.2 50mm has the widest aperture on this list.The lens isn’t weather sealed, so be cautious when braving the elements.As far as 50mm lenses go, it’s a little on the weighty side.Overall this lens is fantastic, especially considering the relative price. Sigma’s Hypersonic Motor (HSM) technology means the lens focuses quickly and silently, whilst the manual focus override is smooth and pleasant to use. The bokeh, or background blur, is soft and smooth, whilst the subject always remains crisply in focus. It performs excellently on both full and crop frame cameras, maintaining its quality even with the aperture wide open. There are myriad features that make this lens our top contender the fantastic sharpness across the frame, even at f/1.4, the excellent quality of the construction, the fast and silent autofocus and the control of chromatic aberration and distortion. It’s the perfect balance of quality and affordability, making it versatile enough for the enthusiast without breaking the bank of the amateur. Our favourite nifty fifty is the Sigma 50mm f/1.4 DG HSM Art. Excellent chromatic aberration control.Attractive price point compared to others in the range. ![]() ![]()
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